Oops! We misread the time for the Sunday service. We tiptoed up the aisle in St. Julian's Church in Norwich as a resonate
voice said, “The Lord be with
you."We slipped into the front pew of the main sanctuary where we
could hear but not see inside the adjoining chapel.I leaned back in the pew, my ears attuned to the familiar thanksgiving prayer.
My eyes fixed on an icon of Dame Julian holding a hazelnut in her raised hand and her book, Revelation of Divine Love, the first written in English by a woman, in the other. A rendering of this church, named for Julian, a male saint who predated the writer-mystic-saint who drew me here. Her given name is lost to time.
My eyes fixed on an icon of Dame Julian holding a hazelnut in her raised hand and her book, Revelation of Divine Love, the first written in English by a woman, in the other. A rendering of this church, named for Julian, a male saint who predated the writer-mystic-saint who drew me here. Her given name is lost to time.
There is a wonderful geometry to the icon. In the top left corner, Jesus reads from a scroll. A diagonal line can
be drawn from Jesus’ eyes, through the scroll, the hazelnut, Julian’s revelations, and the small cell alongside the Church. Spiritually speaking, the line never stops it just exits the icon and goes on through eternity. The
icon writer left no doubt that Dame Julian's life directly follows the way of Jesus.
Dame Julian has drawn me to this hard-to-find chapel off a small alleyway. I have hoped to make pilgrimage here for more than 25 years.
Soon the priest offers the final blessing and exits in front of us with a nods, He heads to the back of the church. A couple
of elderly white man, a middle-aged black man and several women of various ages
exit shrine and greet us. One man said, “You could have come in. There
is always room.” I wished we had.
We stepped down into the shrine and pause at a bowl of hazelnuts and slips of paper with Julian’s famous words: In this vision he showed
me a little thing, the size of a hazelnut. I looked at it with the eye of my
understanding and thought, ‘What may this be?’ And it was generally answered
thus, ‘It is all that is made.' I marveled how it might last, for it seemed it
might suddenly have sunk into nothing because of its littleness. And I was
answered in my understanding: ‘It lasts and ever shall because God loves it.
I
took a hazelnut, held it, and walked slowly around the room. To the left was is a small window that opens from the sanctuary into the shrine and a stone crucifix with the inscription “Here dwelt
Mother Julian, anchoress of Norwich c.1342-1430, ‘Thou art enough for me.” On
the right, four leaded glass windows look out to a garden and add light to the small, sunken room.
The priest, now in clerical collar and no vestments, re-enters the room. As he cleans the chalice and straightens the linen, he tell us that Julian
probably attended her own funeral in the church. The local bishop would have
said the office for the dead to commemorate her death to the world before she
would have been sealed into this “anchorhold” to live out the rest of her life.
She voluntarily declared her own life finished so she could devote the
rest of her years to anchoring others to Christ through prayer.
The small window above the stone crucifix allowed her to see the raised host—the high point of the
Eucharist— and to listen to those seeking prayer and guidance. Margery Kempe, who wrote The Book of Margery Kempe, around 1430 described her visit to the anchoress
Julian relaying much of what we know about Julian's life of withdrawl. Margery, a married woman with many children, felt a call to the
religious life. She traveled to visit Julian and described her
vision of Christian vocation seeking support and verification. Julian told her
if her visions did not contradict the worship of God and helped others, they
could be trusted.
Just a few windows, one that reached the church, and a few others that extended into the garden, were Julian's portals to life. The anchoress, while living in solitary, remained a community person.
She held the people of her plague-ridden village in
prayer and wrote down her visions as a divine offering to help others find hope in such suffering.
Father Chris said Julian was a young widow who had lost a
child to the plague. She turned the tragic end of her family into a life of compassion for others. She was dead to her own future but not cut off Christ's hope or from the needs of the world.
This cell is less than half a mile from the docks where goods from Europe came and went from Norwich’s medieval market.
Julian nearly died in her cell on 8 May
1373. In that liminal time, she received her visions. She wrote them down in a short version. Twenty years later she wrote a longer version.
Father Chris said, “People are drawn here because of Julian’s, life but it
is all of those who have prayed and brought their faith here that makes this place holy.” He wanted to clarify that this shrine is not a place
where one holy woman lived centuries ago, but it is a living community of people who continue
to seek God’s help in times of suffering.
Father Chris left to pay a visit. His presiding at the
Eucharist and care for his flock moved me. I was a pilgrim
seeking to touch sacred history. He was the embodiment of the holy work in the present.
Julian's actual cell was demolished
after the Reformation as the zealous new Protestants sought to erase all signs of
monastic life. Centuries later heavy bombing during World War II unearthed the foundation stones which showed the outlines of the cell. The current shrine was rebuilt on this footprint although several feet
below the original floor. That information made the room make more sense. The window over
the crucifix would have been at eye level rather than overhead. I could better imagine Julian sitting there
listening to those who came seeking aid.
On the way out of the church, we stopped at a bulletin board asking for prayers
that would be brought to the Friday service. I added the name of a dear friend I had just learned was
suffering from a debilitating disease. Julian wrote of the concept of
“oneing”—that suffering and love make us one with Christ and one with each
other.
We left the church and headed across the Lady Julian bridge
that spans the River Wensum. A new
development of modern restaurants and a theater stands on the other side. We stopped
for a coffee and to ponder all that we had just seen. People were walking
around enjoying the warmth of a Sunday morning unaware that
there was a nearby place of prayer anchoring their city in divine love.
I remain awed
by those who hold the world before God through intercessory prayer. I want to live in that eternal line that connects all of life--Christ, creation, creatures, revelation, church--with the way of Jesus as Julian did.
No comments:
Post a Comment